Back in
1985, we undertook perhaps the most instructive branding assignments of my career
— creating the look of “New Coke” and
for the return of Coca-Cola Classic. My partner Ron Wong and his team designed
both. To announce the formula change we put
a “New” flag on the packaging — a pretty common practice. Before we knew it, the public had
incorporated the flag into what became a pejorative single identity. New Coke is considered among the all time greatest
marketing blunders. Others have been
blamed, but it was the company’s CEO, Roberto Goizueta, who ultimately pushed the
reformulation forward. Sweetening the
brand’s iconic recipe came in response to its multi-year sales slide in
self-service outlets. In quickly admitting
their huge mistake and restoring the original formula management did
what few companies ever do. Need-to-know
security had been so tight that we were given but two weeks to create New Coke graphics;
the subsequent decision for a super fast response afforded us only thirty-six
hours for Classic (the designation added because the Coca-Cola name had been transferred to the new product still in market).
The
challenge in creating the return graphics was to confirm and reassure that the cans
and bottles contained “The Real Thing”. Hoping
to convey more youthful modernity, packaging graphics in the preceding years
had headlined Coke deemphasizing the traditional Coca-Cola Spencerian Script. New Coke packages followed suit and for the
same reason. For the relaunch, and to
offer reassurance of authenticity, we recommended doing just the opposite. Now the Coca-Cola script logo dominated with
Coke taking a back seat. The relaunch
was a massive success. The brand, with
its antique trade dress, took off resuming the leadership it had lost. I learned many things from that assignment
including that consumers take ownership of the brands they use, but perhaps
even more important a deep respect for the equity and value of an established
brandmark.
Inventor
John Pemberton’s partner Frank Robinson created both the Coca-Cola name and
script brandmark in 1886. Aside from
modest refinements, it has remained essentially unchanged ever since. Over time a product’s brandmark can become as
valuable than its name. The cursive
rendering of Coca-Cola exemplified that
when it helped save the brand and the company. Using the iconic script made all the
difference; to paraphrase another brand’s tagline: it was and remains
priceless.
Google is a trademark of Google, Inc |
I couldn’t
help thinking of my Coca-Cola experience when Google announced a change in its
ubiquitous brandmark. That may seem odd
since one is a century old and the other less than two decades. But in the Internet age time compresses and Google’s
visual identity is seen many million times a day, both at home, at work and on the go. It took the Atlanta beverage
company many years to reach as many consumer eyes. Yes Coca-Cola may refresh, but the multifaceted
knowledge enabled by Google sustains — it’s not a momentary sugar high. What is most puzzling about Google’s change
is that if you know anything about typography the new logo comes off as a generic
downgrade. Of course, esthetic appeal can
be subjective, so you may well feel differently in that regard. Design is a tricky business, especially when
it must uniquely convey the essence of a company or product/service. Hopefully, a brandmark will reflect well on
both. There are many ways of achieving
this, but among them is to put forward the unexpected or even a surprise. Google was rendered in a serif (more
traditional) typeface, consistent one might argue with the seriousness of
delivering authentic information. But the
bright multi-color letters were unexpected, a clear statement that finding
information can be easy and, yes, fun.
But I’m
not really talking here about design per se.
In fact, had Google introduced itself with its new logo, I might be
arguing in reverse. It’s not the
typography, but the equity. Now don’t
misunderstand. There are times when a
company should absolutely consider changing a brandmark. For example, when the brand no longer
accurately expresses what it is meant to identify, say a dramatic change in the
offering or company’s product line or direction. Logos and even names can change when
something has gone terribly wrong or when ownership changes or a merger takes
place. You get the point; there should
be a substantive reason. Getting tired of the “old look” may motivate
“updating”, but unless there is some real upside to change, it’s a poor excuse
of a reason.
We all
know that Google’s founders have decided to reorganize the company and also
that they have been turning their attention to other non-search products and ventures in the recent
years. They are dreamers in the best
sense of the word and we wouldn’t have this great information tool without
that. At the same time, one senses
that, despite being the source of their wealth and the underwriting of new
exploration, they may have gotten bored with Google. At least, that’s what a generic looking revision
of the brandmark may be communicating.
And, one wonders if they even considered the New Coke case history with
its dual message of visual equity and consumer ownership. Those who protested New Coke essentially felt
that the company had taken “their” beloved product away from its real
owners. Has the management of the
company taken away “our” Google, signaled that its identity no longer has
value?
I’m sure
that wasn’t and isn’t their intention; I certainly hope not. We are living in an era where changes can be
made with a keystroke. That’s what makes
our time so exciting, especially since we are so often in command of the keyboard. But unreasoned change is also unnerving and
more importantly can be devaluing. I
know what Google management said to justify this change, but frankly I’m not
buying it. Like many of you, hardly a
day goes by — sometimes an hour — when I’m not doing a Google search. The new graphics won’t keep me from doing so,
but neither will they command any loyalty if something better comes along.